

Marmar Palace, also known as the Marble Palace or Kakh-e Marmar, is one of Tehran’s notable historic palaces. Built during the early Pahlavi period, the palace combines traditional Iranian decorative arts with modern architectural influences.
Reza Shah commissioned the palace in the 1930s. Construction took place between 1934 and 1937, and the building later served as a royal residence for both Reza Shah and Mohammad Reza Shah.
Today, Marmar Palace houses the Museum of Iranian Art, adding a new cultural attraction to central Tehran.

Marmar Palace played an important role during the Pahlavi period. Reza Shah used it as a residence, and Mohammad Reza Shah later used the palace for royal occasions.
The palace also witnessed several significant events. In 1939, for example, it hosted the Iranian wedding ceremony of Mohammad Reza Shah and Princess Fawzia of Egypt.
After the 1979 Iranian Revolution, government institutions used the building for many years. Eventually, the palace underwent restoration and opened to the public in 2020 as the Museum of Iranian Art.
One of the most fascinating features of Marmar Palace in Tehran is its combination of Iranian and Western architectural elements. White marble covers the exterior, which explains the name Marmar, meaning marble in Persian.
Traditional Iranian craftsmanship also plays an important role in the palace’s design. Visitors can see elaborate tilework, woodwork, mirrorwork, and other decorative elements throughout the building.
The palace’s dome is particularly distinctive. Its design recalls the famous dome of the Sheikh Lotfollah Mosque in Isfahan, creating a striking connection between twentieth-century architecture and Iran’s Safavid artistic heritage.
Located in central Tehran, Marmar Palace can be an interesting addition to a cultural tour of the capital. It is particularly worthwhile for travelers interested in Iranian architecture, decorative arts, and modern Iranian history.
Together with Tehran’s other museums and historic palaces, Marmar Palace provides another perspective on the artistic and political transformations that shaped Iran during the twentieth century.